Sam Leidholt
Literature
C. Villa
April 22, 2013
Historical Fiction
For years, students have found ways
to complain about learning styles. Instead of ignoring the complaints, is there
an easier method that teachers have yet to consider? As human beings continue
to evolve, so do the ways in which we learn. Our grandparents would consider
reading a book or going to a library the best way to learn. Our generation
would beg to differ. We learn much more quickly by seeing and doing rather than
reading and memorizing. Although not an end all be all, historical fiction
films can provide a more effective learning style than history books.
Many pros and cons exist to the use
of historical films as way to teach. Unfortunately, many students take the
entire educational process for granted. Such students who refuse to learn in
general will usually remain the loudest complainers. Effective teachers will be
able to reach as many students as possible. This change in learning style has
the potential to remove the negative aura surrounding reading and attempting to
cram in as many pages as quickly as possible just to “get your homework done.”
While cramming may work for some
students, another potential negative effect is that of livelihood of the film.
Not every student will have the same interest and take the same liking to
different types of films, therefore, creating a gap between how many students
actually pay attention and those that take advantage of the dark classroom for
a quick nap. Students today are also known for the amount of sleep we do not
get at night. This lack of sufficient energy combined with a couple hour movie
“lecture” may indeed provoke students to fall asleep in class much more
frequently.
On
the other hand, not all sleep-deprived students will see this as a time for
catching up on some sleep. Those students who genuinely do struggle with
learning may be very positively affected by the change. The introduction of
filmography to classrooms could increase knowledge retention. For example, in
our Literature class, we watched a very poor quality documentary surrounding
the murder of Lorenzo de Medici. The quality of the film, however, contributed
to the amount we remembered. The poor acting and rather comical drama in the
film contributed to our take away and memory of the actual event. By
remembering the way we were made to feel in the film contrasted with the way we
expected to feel after initially learning about the murder, we are able to
recall more quickly and accurately the facts of Lorenzo’s death.
Not
only can the nonfictional events of history be portrayed in films, but
Historical fiction can also contribute to the knowledge of a certain place,
event, or group of people. The movie Hannibal
is a perfect example of this. The fictitious acts of Dr. Hannibal Lecter that
take place in the nonfictional place of Florence with the nonfictional people
of the Italians and Italian police force provide an interesting method in
teaching about the city. As American students studying abroad, we were
initially overwhelmed with the beauty and seemingly perfect atmosphere of
Florence. While that side of Florence does exist, we have learned and had many
discussions over its opposite: the dark side of Florence. The historically
fictitious film Hannibal is a
brilliant display of the city of Florence, the actions of Florentines in the
time the film was created, Italians’ interactions with Americans, and many
other aspects of Florentine life that cannot be taught in a textbook.
It
doesn’t take a student long to begin counting down the number of pages left in
a chapter of reading and calculating just how quickly that reading can get
done. The use of Historical Fiction filmography in the classroom opens up a
brand new slate of methodical teaching styles. Students very quickly become
bored with textbook reading, especially as it is how we’ve learned all our
lives. Our generation looks for new ways to do something and new ways to
accomplish tedious tasks. Introducing a new, more exciting way to learn (i.e. watching
and discussion of historical fiction films) can produce an excitement about
learning that many students haven’t had for years. Discussions about the
nonfictional and fictional elements of the films, as well as understanding of
what within the interactions and storyline are real and made up can help to
create and maintain a solid understanding of the historical period being
studied. In order to keep up with the advances in technology and evolution of
our generations, it only makes sense that teaching styles do the same.
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